Archive for the ‘ Cameras ’ Category

The best places

What a place to work - a Pinoramic 120 photograph of the train outside my shop window.

The Guardian newspaper recently proclaimed Portland #1 on its list of the five best places in the world to live. The others were -

St Pauli, Hamburg

Northern coast, Maui, Hawaii

Cihangir, Istanbul

Santa Cruz, Tenerife

It's an unusual list. Many of the usual suspects don't make the cut. But the reasons given for the choice - "There are planning restrictions on crappy developments. Portland has the highest number of microbreweries in the world." among others are familiar to Portlanders. I just like the sense of Portland being a place that's full of surprises but still gritty in an urban sort of way. To look out my shop window and behold the Banfield expressway, the MAX light rail and this railroad all within 50 feet of my window - that's my urban fix.

 

Pinhole photographs in Portland

Eastside view from the Broadway bridge

Just read the Guardian's post proclaiming Portland the number 1 place in the world to live . . . Woohoo!

As a photographer, one of my favorite areas in Portland is around the Broadway bridge. There is a great collection of industrial, rail, residential and commercial activity in that area. I should spend more time there with a camera!

 

The last Pinoramic 120 cameras

The Pinoramic 120 Series 2 cameras were originally offered in 2006. I'm working on assembling the last remaining cameras from the original run of Pinoramic 120 Series 2 cameras.

One of the procedures involves installing a black phenolic inlay at the shutter opening on the front of the camera. This process is described in this photo essay:

After and Before

 

A simple vacuum chuck for the lathe

 

Installed in the collet chuck

 

The camera body in place

Insert clamped in place

 

Rough trim

 

Trimming to camera face

 

The finished product

 

Truck: with flowers – a P.90 pinhole photograph

Flowers in bed

- from the Cars in the Park series . . . Portland, Oregon

A new camera design

Designing a new 120 degree lensless camera

The last batch of P.90 camera is underway so it's time to move on to some new ideas. First out of the hat is a replacement for the Pinoramic 120 series. As much as liked the PPC2 design, it was just too difficult to build cost-effectively. So for the new camera I'm bring together some ideas from both the PPC2 and the P.90.

Prototype #1

For the first prototype I am using the physical layout of the P.90. The first one, illustrated above, simply uses the hardware kit for the P.90. But the goal for the second prototype is to incorporate the film loading design from the PPC2. I'm also looking to make the camera available with either the P.90 style shutter or the pneumatic shutter used on the Pinoramic series cameras.

Kitted up with P.90 hardware

The wider field of view of this camera means there will also be some work on a revised shutter design. My first prototypes generally run afoul of some critical issue leading to a quick follow up with a second version and this case is no different. Once the second proto is together, I will begin testing and refinement of the design. I hope to make the camera available in the next few months.

While testing is underway I'll be focussing on another new design - this time for a flat film plane camera. More on that later . . .

Analog photo notes

This amusing and informative film from the Netherlands circa 1958 is subtitled in English and describes how Kodak film was manufactured then. Kodak has apparently substantially improved the process since then.

Pixiq – John Neel stream tests the P.90

I recently sent a P.90 off to John Neel to take out for a spin. He did a nice write up (with no input from me!)
And he made some great hand colored images from the shots he took.

He describes those images:

The images in the gallery were shot on Portra 400 using a 1-3 second exposure in bright daylight or open shade. After scanning the film into the computer, the images were processed through NIK Color Efex Pro and/or NIK Silver Efex Pro for contrast and edge enhancement. Color blending using layer blends was used to enhance the colors of the Teepee. The image of the stream was hand colored in Photoshop using a Wacom tablet. All images copyright  - © John Neel.

John is doing some great writing for the Pixiq site. You can check out some of his other work.

John Neel | Pixiq

Hand-Eye Supply Curiosity Club

Presentation at the Curiosity club

I had fun doing a presentation for the Curiosity Club at Core77's HandeEyeSupply store here in Portland. Tobias and Will are producing an always interesting series of talks by local makers, thinkers and tinkerers. They have included presentations by Joey Roth, Nathan Bergey, Amber Case and Aaron Parecki and many others. It is an informal event that is always informative and thought provoking. I highly recommend it for anyone in Portland on the event evenings.

There is a video of the presentation for those with the patience to persist. I am going to put together an annotated version of the Keynote presentation I used that I can post so the mystery projection on the wall from the video can be seen.

Curiosity Club Tuesday night

I'll be giving a presentation Tuesday at Core 77's Hand Eye Supply in Portland.

It's a great series of talks by makers and thinkers of various stripes.

About the Curiosity Club
Ex Curiositas, Scientia. We pledge to learn with out prejudice in pursuit of our mutual goal; perpetual noviceship. We admit that it is impossible to know everything about anything and thus we remain perpetually curious and perpetually novice. The Hand-Eye Supply Curiosity Club meets fortnightly on Tuesdays from 5:30 to 6:30. Each meeting of the Hand-Eye Supply Curiosity Club will contain a 18-28 minute lecture from a speaker who has an area of knowledge that appeals to the curiosity club. The presentation will be videocast on the Core77 blog along with any presentation materials. The series highlights an eclectic group of speakers across a broad range of subjects dictated by our curatorial interests in the areas of Culture, Design, Science, Technology, Art, Fabrication and Design Techniques and Lost Common Knowledge.

The Hand-Eye Supply Curiosity Club is a speaker series hosted by Will Lolcama, Tobias Berblinger and Core77's Hand-Eye Supply store

Curiosity Club

Miroslav Tichy – reclusive photo-vouyeur

Miroslav Tichy

The Czech photographer Miroslav Tichy

My friend, photographer Ron Klein, having just returned from a trip along the Siberian railway with a Russian cohort, brought a cardboard camera to an IAPP meeting some years ago. It was constructed during the journey and was a medium format, panoramic camera that made impressive images as I recall. It was a well constructed piece of work intended to make fine, conventional images.

Of course it is not uncommon for photographers to make their own cameras, whether they be sophisticated, special-purpose engineering marvels, converted mint tins or substantially modified extant cameras.

And then there are the various permutations of camera aesthetics that embrace all manner of imperfections from streaky plastic lenses to perpetual light leaks. But the story of Miroslav Tichy is especially fascinating. He apparently fully embraced bad cameras, improper technique and disheveled appearance in equal measure as the fundamental core of his creative expression.

Handmade camera

His cameras were made from collected materials and were often regarded by his subjects as clearly non-functional even as their image was being captured. He lived in Kyjov in the Czech Republic and was a trained artist who ended up living a reclusive and eccentric lifestyle free from the standards of society as he pursued his artistic endeavor.

He has recently begun to receive greater exposure and the following resources are a sample of the material covering his life and work. It is certainly worth tracking down further examples of both his photographs and his cameras.

Resources:

The artist's site

Michael Hoppen Gallery - Artist - Miroslav TichyTichy Ocean Foundation

Wikipedia

Extravagant Disorder - The Nation

New York Time - Art and Design

 
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