Archive for the ‘ Photography ’ Category

A group show in December

My neighbor and good friend Maureen asked me to participate in a fun concept show at the 12X16 Gallery. Maureen is a member of the gallery which is putting together a group show consisting of work from each of the members displayed along with a guest invited by each member. It's called Member's Choice. So I will be providing an image to be displayed with one of my own camera creations called the Pinoramic 120 V2. Maureen has chosen a piece of her work that we think shares a bit of the feel of my image. I'm looking forward to seeing the other choices and a fun evening on the gallery's usual First Friday opening.

12X16 Gallery
8235 SE 13th Ave. No. 5
Portland, OR 97202

Opening - First Friday - December 7, 5 to 9 pm
Artist's Reception - Sunday December 16, 2 to 4 pm

 

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A 4×5 camera with a Petzval lens VS Canon 5d

Analog/Digital

Via filmsnotdead.com:

How can there possibly be any comparison?

Four weeks prior to the London Olympic Games, Los Angeles Times photographer Jay L. Clendenin spent that time traveling around Souther California, composing portraits of the competing athletes on the US Olympic Team. Yes, while he wasn’t the only one documenting these athletes, Clendenin chose a more unusual way of capturing them. In addition to using a Canon 5D Mark IIs, he also used a 4×5-inch field camera with a 100+ year old Petzval lens, exposing each image onto B&W paper to produce a tnegative. Clendenin put his two photographs side by side to show the comparison of the two, revealing how strikingly different analogue photography is to digital and how it can capture an ethereal and unique look that digital can just not match.

‘Each black-and-white portrait was exposed onto black-and-white photographic paper, processed in a darkroom and scanned into a computer. The process was cumbersome and filled with experimentation. I brought 23 film holders to every shoot, in addition to a bulky camera and tripod and two digital cameras and lenses. But shooting the large-format film was a relaxing and, most important, creatively rejuvenating experience. With no motor drive to capture three frames every second (as with my Canon 5d Mark II cameras), I was forced to slow down and think about each frame.’

F.N.D | A 4×5 camera with a Petzval lens VS Canon 5d.

Smudgers – street photographers using the unique One-Minute cameras

While investigating the work and equipment of street photographers using "One-Minute" cameras, I stumbled upon the book by Chris Wroblowski entitled "Smudgers". It is about photographers using these cameras in various countries around the world.
Chris recently sent along photos of these cameras he has collected from Cuba, India, Morocco and Brazil. Each is a work of folk art in itself and has an accompanying illustrated backdrop for use behind the portrait sitter. In order to help fund a new project, he is now offering them for sale. Check out this article about Smudgers.

One-Minute Street Photographer’s Camera

A New Design Project

I was recently contacted by photographer Billy Baque from the Bay Area about a design project. He had become somewhat enthralled with the idea of a traditional street photographer's camera originally based upon early ferrotype cameras. An interesting site for The Afghan Camera Project includes further details on the particular Afghan version of this camera. This is a street photographer's portrait camera with in-camera processing that can produce a finished image for the customer in a span of as few as 5 minutes.

The camera is a large box with a sliding internal focussing mechanism designed to go from portrait distance to 1:1 copy distance. Internal processing tanks, paper storage and a darksleeve for access to the interior of the camera enable a portrait shot to be processed within the camera and washed outside of the camera.Once the paper negative is rinsed, it is fitted to a copy stand mounted to the front of the camera while the focussing mechanism is moved back to copy position. A photographic copy of the paper negative run through the same procedure then results in a positive print ready to deliver to the customer.

Photographer Chris Wroblewski produced a nice looking book entitled "Smudgers" about some of the photographers still practicing this kind of street photography around the world

Chris Wroblewski's book on "Smudgers"

Before contacting me, Billy had done extensive research into the cameras. You can see his blog entries here:

The Cuban Polaroid
Building a "Minute" street camera
Accoutrements for a "One Minute" camera

I'll post updates on this project as it proceeds.

Pinhole photographs in Portland

Eastside view from the Broadway bridge

Just read the Guardian's post proclaiming Portland the number 1 place in the world to live . . . Woohoo!

As a photographer, one of my favorite areas in Portland is around the Broadway bridge. There is a great collection of industrial, rail, residential and commercial activity in that area. I should spend more time there with a camera!

 

Truck: with flowers – a P.90 pinhole photograph

Flowers in bed

- from the Cars in the Park series . . . Portland, Oregon

Enchantment

"Scale" by Jean-Claude Mogin

I pinch myself each morning  . . . I'm actually living inside a house!

The Prowler - a 5th wheel trailer, which the three of us - Lisa, Zane and I - nested in while I tore our house apart and gradually put it back together, no longer obstructs the better part of our driveway or our sanity. In its place we can now park both cars and still have plenty of room to make our way into our new dwelling. Well, it's not exactly new but perhaps 25 percent of the old house remains. We long ago took to calling the project Bungaloft.

The shape of our Bungaloft is clarified with each additional completed project - a kitchen tile backsplash is underway at the moment. The Bungaloft (I think "Where Modernism meets Bungalism") is our attempt to infuse a bit of Modern style into this modest bungalow. My formal and informal history as a student of Modern design and Lisa's fondness for the phenomenon that is Dwell Magazine delivers the drive for a crisp clarity in each choice we make. The welcoming diversity of Portland's neighborhoods filled with an endless collection of traditional architectural styles provides the counterbalancing love for the coziness of intimate scale cottages. It is not done but we now enjoy the progress from within its walls.

We are far enough along that we find ourselves settling into the task of making the modern - cozy. As we search through the collection of photos and other artworks we have collected, a bit of the lived-in look builds with each additional nail and hook pounded into the wall. Because of my long-standing work designing and building cameras I  have a pretty decent collection of photographic work by artists who may or may not own one of my cameras. Each image has its own point-of-entry, its own collection of stories which necessarily includes the one about how we came to posses it. So when the beautiful image above slipped into my consciousness I quickly recalled that although not made with one of my cameras, it was in fact made by an artist who does own an example of the current camera - the P.90. Although I am quick to express the preference that my cameras live a productive life as a useful tool, I have the impression that Jean-Claude Mougin purchased his camera more as a work of art. Much as I would love to see P.90 images made by Jean-Claude, I'll readily accept as a substitute the gift he made of a beautiful print of this image with no further incentive than my compliment on its haunting beauty. Some images possess an emotional power extending well beyond the simple total of their visual content. For me, this image is a rich and compelling story engaging my imagination every time I look at it.

Having nearly met its demise at the beak of a certain African Grey parrot who will go unnamed, the print is now destined for matting and framing in preparation for its prominent role in elevating the level of enchantment we experience each day we share the privilege of living in this little jewel we call Bungaloft.

Analog photo notes

This amusing and informative film from the Netherlands circa 1958 is subtitled in English and describes how Kodak film was manufactured then. Kodak has apparently substantially improved the process since then.

Nicolas Anquetil on pinhole photography

I ran across this interesting presentation on a bit of research into pinhole photography by Nicolas Anquetil. The image above is a Google translation of the original French website. I can only vouch for the translation to the extent that it is generally quite readable.

It's a text that ranges from optical theory to philosophy, from Marx to Brunelleschi, and which has additional features to make it easily readable. It's worth a visit. The link will send you to the Google translation.

Blue Moon Camera and Machine customer show

Blue Moon customer show

The Blue Moon Camera and Machine crew has been at it again. Their annual show of customer work unanimously selected by the staff as it comes off the printers in the lab is always great fun. 150ish images displayed in three venues along Lombard in St Johns starting at 7:00 PM on Saturday.

The venues include:

Proper Eats Market and Cafe:        8638 North Lombard Street - 503.445.2007
Anna Bannana's Coffeehouse:      8716 North Lombard Street - 503.286.2030
Plew's Brews:                                     8409 North Lombard Street - 503.283.2243

Bundle up and go check it out. It's even more fun than it sounds.

Thanks to all who attended and submitted work for the Portland Pinhole show. Lot's of great people were in attendance. If you didn't make it b for the opening, be sure to mark out some time to stop in - highly recommended!

 
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